Katherine of Alexandria

I have recently been working as Sound Mixer on a feature film which started shooting this January at Pinewood. The film stars -among others - Peter O’Toole, Joss Ackland, Steven Berkoff and Sam Beckinsale. There are plenty more familiar faces in the cast too.

The films recounts the story of Katherine of Alexandria; Katherine is probably best known for the ‘Katherine Wheel’ firework which symbolises the instrument of torture designed to break her. More importantly, she was the first woman of position to publicly denounce Rome’s false gods and her eloquent arguments with fifty of Rome’s finest scholars in an open court in Alexandria captured the spirits of ordinary people around the world.

It was Katherine’s belief in the freedom of faith that led to the eventual collapse of religious persecution under the Romans.

For the recording process I used the new Sound Devices 552 mixer, feeding 4 individual tracks to a Sound Devices 744T and a mixed track to a SD702T. The booms were using Sennheiser MKH50 mics to allow us to record as much of the superb vocal dynamic range of actors such as Mr Ackland and Mr O’Toole as possible, with a couple of Audio Ltd 2040 radio mics with DPA 4071 capsule attached - for emergency use only of course!  We also sent a feed of the mix to camera A (shooting two Red One cameras - one on a dolly, and the other on a Technocrane for much of the time) via a Ricsonix Camlynx bluetooth connection, which was an elegant, if slightly troublesome (lots of wireless frequencies, metal objects, bags of water - people - and small electric motors eg on the smoke machine caused  a few issues) method of connection to camera without adding to the numerous cables already attached to the Red. This allowed immediate playback with audio for the Director and DOP. We synced rushes using the time honoured method of a clapperboard, rather than jam-syncing the timecode of two audio recording devices with the Red cameras. This would have been easily achieved with Lockit boxes and a Digislate, but i prefer the simplicity of the clapperboard, and the assistant editor was happy to sync using a clapper.

You can see (and more importantly hear!) the results in this brief trailer; http://www.katherineofalexandria.com/trailer1.php

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About me

I am a freelance sound recordist with over 8 years experience in television, film & radio with numerous broadcast credits. I trained in location sound recording at the National Film & Television School in Beaconsfield, and am also experienced as a dubbing mixer; I have a small studio for post production dubbing and mixing.

I also teach Sound in various forms at the London Met Film School in Ealing Studios, and at the National Film & Television School, Beaconsfield.

I am based in Oxford but work largely in London; I have my own full location recording kit, transport and a clean driving licence and am available for work across the UK and worldwide.

This site contains a blog about my work as a location sound recordist, as well as articles related to sound and film, lots of information about careers in sound and pro audio equipment, advice on filming and sound techniques, a glossary of audio terms and lots lots more. Please drop me a line and let me know what you think, or if you want to contact me for work please click on 'Contact' or call me directly on 07980 910873.

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- i was indoors so the connection was excellent - bluetooth bouncing off walls etc. I used it as my main link to camera - flawless

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