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Archive for April, 2009

Colliding Particles - Part 4 ‘Problems’

Filming with Mike Paterson in Paris

Filming with Mike Paterson in Paris

The latest of Mike Patersons great films about the work of particle physicists hunting for the Higgs Boson has just been put on the web - you can see it at www.colliding particles or watch it in HD below…

We travelled to Paris earlier in the year to speak to Gavin Salam who is a theorist at the French National Centre for Scientific Research in Paris, and his PhD student, Mathieu. Gavin completed his PhD at Cambridge in 1996, and went on to hold postdoctoral fellowships in Milan and at CERN. His research has mostly been centred on the area of quantum chromodynamics, the theory which describes the behaviour of quarks and gluons. Together with his PhD student Mathieu he has been working on the theory side of Project Eurostar - the project designed to find the Higgs Boson that the films focuses on. Gavin was an excellent host, and one of the advantages of working in Paris is above average lunches and dinners ;)

As you can see in the film Gavin plays the piano. Mike was interested in exploring the relationship between the work of a particle physicist and the mathematical patterns and processes inherent in music, so we filmed Gavin playing the piano in his flat in Paris.

This presented a couple of problems from a sound point of view - the acoustics of the flat were not too bad to the naked ear, but with the microphone i had intended to use - the Rode NT4 stereo mic - the late and early reflections present when i listened on headphones didn’t sound nearly as nice as i had hoped. It was tricky to position the mic effectively over the piano (i tend to use a mic position either with the XY axis of the mic facing across the strings along the open top of the piano, or a similar position underneath, giving a nice wide stereo image - i would love to hear of any other techniques people find effective for this setup) without getting some strange reflections from the walls and objects within the flat, or being in shot.

I then tried my Sennheiser MK60 short gun mic out of it’s Rycote windgag, with just a foam windgag on. It is my ‘go to’ mic in so many different situations. It has a nice open sound considering its excellent rejection off axis, and this rejection allowed me to get a cleaner recording of the piano. The music you hear played in the final film is recorded using the MK60 with the boom positioned under the piano, just out of shot.

I think it sounds rather nice, although that probably has more to do with Gavins musical talents than my mic selection!


Colliding Particles - Episode 4: Problems from Mike Paterson on Vimeo.

The physicist Dr Brian Cox is a physicist at the University of Manchester gives this rousing talk at a recent TED conference on why the work at the LHC is so important;

Paul Trevillion interview on Test Match Special

Here is a fantastic interview conducted by Jonathan Agnew with Paul Trevillion - artist of the classic ‘You Are The Ref’ strip - to discuss ‘You Are The Umpire’. Enjoy.

Bectu Ratecard for Sound Recordists

BECTU have kindly updated their ratecard for freelancers working in Broadcast. This is a good guide to the daily rate freelancers like myself can expect for their work. I hope that the fact that the ratecard was published on April 1st is not an ominous sign, although the lack of adjustment to rates over the last 20 years might suggest otherwise.

Anyway, I don’t publish my daily rate on this site as a matter of courtesy, however maybe it would be a helpful guide for some if I reproduce the relevant section below…

‘FREELANCE RATE-CARD for FACTUAL TV PROGRAMMES

APRIL 2009

Going rates for a 10-hour day

SOUND DEPT.
Sound Recordist £319 (inc holiday pay)
(£285) (exc holiday pay)

OVERTIME

BECTU believes that overtime should be paid at a premium rate. The
most common overtime rate is 1.5T. ‘

About me

I am a freelance sound recordist with over 10 years experience in tv & film. I studied location sound recording at the National Film & Television School in Beaconsfield, and have been working as a freelance sound recordist since 2004. I have my own full location recording kit, transport and a clean driving licence and am available for work across the UK and worldwide, with bases in London and Oxford.

I also teach Sound in various forms at the London Met Film School in Ealing Studios.

This site contains a blog about my work as a location sound recordist, as well as articles related to sound and film, lots of information about careers in sound and pro audio equipment, advice on filming and sound techniques, a glossary of audio terms and lots lots more. Please drop me a line and let me know what you think, or if you want to contact me for work please click on 'Contact' or call me directly on 07980 910873.

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